THREE WEEKS UNDER THE SEA
| director | Martin Kuba |
| script | Martin Kuba & Marek Grajciar |
| genre | gangster film noir |
| status | in production |
Michal returns to his hometown in Ukraine for his father’s funeral. He finds out that the coffin is empty and the funeral was a fraud. He sets out in search of the truth about his father, who was a Russian military attaché in Czechoslovakia. Michal gets involved with his father’s old friends, who form the local Russian mafia.
GRANDPA, LET'S GO!
| director | Olga Chajdas |
| script | Emil Płoszajski |
| genre | family road movie 90' |
| status | pre-production |
Your crazy grandpa is the best, but your dad hates him. He doesn’t believe you can talk to real dragons, either. This leaves you no choice: you have to run away, free grandpa from a retirement home and hit the road. It seems only grandpa’s legendary boat can stop this chaos and save the family. A story that could happen to (almost) any family.
WORM EATEN
| writer/director | Maja Markowska |
| animation | 10' |
| stage | preproduction |
„Lolita” told by Lolita herself.
The story of a woman who as a teenager was in an intimate relationship with a much older man.
HOW TO HIJACK A PLANE
| writer/director | Olek Młyński |
| documentary | 70' |
| genre | dramedy + investigation |
| stage | development |
1982, Poland is ruled by Communists. The borders are closed, people have no passports.
36 ordinary people board a domestic flight a plane from Wroclaw to Warsaw. And then they hijack the plane, fly over the Iron Curtain and land in West Berlin.
HEY GIRL!
| director | Olka Kułakowska |
| script | Patrycja Mnich, Olka Kułakowska |
| genre | family dramedy 90' |
| status | development |
Behind every strong woman there’s a tribe of strong women who have her back.
ANIMUS
| director | Tomasz Śliwiński |
| script | Tomasz Śliwiński |
| genre | family drama with a bit of horror |
| status | development |
A horror story on modern masculinity.
St FLORENTINE
| genre | comedy series 8 x 44’ |
| production | Furia Film |
| status | development |
The difference between a sinner and a saint is that the saint usually has an interesting past – the sinner has a future.
Oscar Wilde (but Sister Consolata – one of the main characters) could have said this as well.